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Remote Viewing Instructional Services
True skepticism does not begin by being anti-anything. The processes of open consideration and examination (i.e., research) will ultimately establish whether something exists or not. ~ Ingo Swann

STAGE VI

  1. Concept

    Stage VI involves the three-dimensional modeling of the site. As such, it is in a sense the continuation of expression of the site's physical characteristics begun in Stage III. Stage VI modeling is a kinesthetic activity which appears to both quench the desire to produce AOL and act as a prompt to produce further information relating to the site--including not just the physical aspects being modeled, but other elements not directly associated with the modeling itself.

  2. Functions of Modeling:

    Stage VI, modeling, has two functions:

    1. Kinesthetic interaction with the site by describing the site with 3-dimensional materials, which facilitates the assessment of relative temporal * and spatial dimensional elements of the site, and;

    2. Kinesthetic interaction with the site which effectively lowers the liminal threshold of the viewer by narrowing the RVer's attention field to specific locales (time/space). (Kinesthetic activity is space/time activity, such as moving an object from point A to point B. Not only has the object moved in space, it has also taken time to make the move. Everything in the physical universe is because of kinesthetic activity.)

    * NOTE: An example of relative temporal assessment would be describing a site as being contemporary and modern, with an old world ambience, which the people of today visit to understand the past.

  3. RV Modality:

    There are two types of kinesthetic activities in remote viewing--the detect mode and the decode mode. The detect mode includes those behaviors that act as progressively engineered stimuli to the RVer, which in Stage I involves writing the coordinate and in Stage III involves the rendering of a sketch, drawing, or tracker. In Stage VI this mode is represented by 3-dimensional model constructing. Decode kinesthetics, on the other hand, are objectifications which act as responses to the stimuli of the detect mode. Representing the decode mode are the Stage I ideogram, Stage II basics, Stage III dimensionals, the Stage IV matrix, and the Stage VI matrix, all of which are produced from the signal line. Stage V is neither detect nor decode as Stage V information comes from cognitrons formed subconsciously rather than from the signal line.

  4. Discussion:

    According to theory, as the viewer proceeds through the earlier Stages, his contact with the site is enhanced in quality and increased in extent. Stage VI involves the viewer in direct 3-dimensional modeling and assessment of the site and/or the relationship of Site "T" elements, one to another.

    Stage VI may be engaged at several different junctures: after completion of Stage IV and/or Stage V. It can also be entered when Stage IV has stabilized, appropriate AI has been encountered and dealt with, and the viewer has become localized on a specific aspect of the site. Because Stage IV data is collected by "winking" around the site, thereby providing incongruent information, the stabilization/localization must occur prior to Stage VI. After the Stage IV "T" has been modeled, the session can proceed moving to Stage V or be continuing further with Stage VI.

  5. Session Mechanics:

    As soon as the decision is made to proceed into Stage VI the viewer places in front of him the modeling material (usually clay) that has been kept nearby since the start of the session. At the same time, he also takes a blank piece of paper and writes a Stage VI Matrix on it. As the viewer proceeds to manipulate the modeling material into the form(s), dimensions, and relationships that "feel" right to him, he maintains as his concentrated effort the perception of the site details that are freed to emerge into his consciousness by the kinesthetic experience of the modeling process. These site data are recorded in their appropriate columns on the matrix as the Stage VI portion of the session continues.

    1. Matrix: The Stage VI Matrix is identical in form to the Stage IV Matrix:
      S-2 D AI EI T I AOL AOL/S

      However, it is labeled "Stage VI" for both record keeping purposes and because that matrix pertains to a specific locale in time/space and not the entire site.

    2. Considerations: In practice, the viewer constructs the Stage VI Matrix, sets it aside, constructs a 3-dimensional model of Stage IV "T's," and records information perceived from the signal line. During the modeling process, the viewer must:

      1. Focus his awareness on the signal line (not the model) and the information which will begin to slow as the model is constructed, and;

      2. Objectify that information within the prepared Stage VI Matrix. The viewer must keep in mind that the model does not have to be a precise or accurate rendering. It is the objectified information resulting from the modeling that is IMPORTANT.

  6. Format:

    Following is a sample Stage VI format:

    FORMAT FOR STAGE VI




    Name
    Date
    Time




    (Personal Inclemancies/Advanced Visuals Declared)





    (STAGE I - Coordinate)
    (Ideogram) A   Rising Angles Across Down
    Solid


    B    Structures
    (STAGE II - Sensory Data)
    S2



    rough
    smooth
    gritty texture
    grey
    white
    red
    blue
    yellow
    orange
    clean taste
    mixture of smells
    warm
    bright
    noisy



    (STAGE II Dimensionals)

    tall
    rounded
    wide
    long
    open




    AI BREAK
    Interesting.
    I like it here.



    (STAGE III)

    (SKETCH OR TRACKER)



    (STAGE IV)







    S-2 D AI EI T I AOL AOL/S
    structures
    rough
    smooth
    manmade
    high
    tall
    wide
    AI BREAK
    This is neat!
    doors
    windows
    colorful
    parapets
    building
    [SKETCH]
    foreign feeling
    people
    somber
    serious
    devoted
    enthusiastic
    secular
    AOL BREAK
    A castle in a city
    church
    (STAGE V)

    religious
    objects
    emanations?

    robes
    candles
    incense

    religious
    attributes
    emanations?

    quiet
    dimly lit
    echoing
    large

    religious
    subjects
    emanations?

    worship
    reverence
    respect
    harmonious chanting

    religious
    topics
    emanations?

    mass
    Catholic
    priest
    communion

     

    AOL mosque
    prior emanations?

    large
    assembly
    religious´┐Żdecorations
    singing
    reverence
    scriptures
    clergy



      (STAGE VI - this matrix is filled in while viewer is constructing the model)

    S-2 D AI EI T I AOL AOL/S
    church

    hand-hewn stones

    grey
    rough
    very large
    very old

    war damaged

    monument
    dreary climate

    international

    rubble

    separate structure

    tall
    straight
    rectangular
    high
    wide
    AI BREAK
    This is really neat! It feels very familiar.
    modern

    same purpose as other structure

    church
    New church and old church are the same
    cosmopolitan atmosphere

    war atrocities



    * Viewer's Summary: Site is composed of two churches. One church, which is old and made of hand-hewn stones, has been damaged by war. There is a lot of rubble around it. The new church is very modern in design. Both are located in an area with a cosmopolitan atmosphere and an international flavor. The older church as been left as a monument to remind the people of today of the war atrocities of the past. The new church now serves the same purpose as the older church did at one time--a house of worship.

    * NOTE: At the end of a session, the viewer will often produce a short summary of the data contained in session structure as an aid in tying together the information derived from the signal line.

    FEEDBACK NOTE: Site is the new Kaiser Wilhelm Church and the war-torn older Kaiser Wilhelm Church, which are side-by-side in Berlin, Germany. The older church, demolished by bombing during World War II, has been left to stand as a monument and a reminder to all who visit.